Kerrie Wenham, in her first CAOS role for five years, shows herself a natural leading lady as the spirited Fiona MacKeith; opposite her, Southsea’s Andy Murray in his first show for CAOS, is just perfect as Tommy Albright, the wandering American who wanders into her life across the centuries.
You need something to click between the two, and it certainly does. Their relationship is key, and Wenham and Murray give it genuine heart, singing with feeling and real passion and bringing to life this most unlikely of romances.
Brigadoon is a village which is fated to appear for just one day every century – or to see it from Brigadoon’s point of view, each night a hundred years passes. Which is a bit of a blow to Tommy’s romantic aspirations, and yet there’s just something about Fiona he can’t let go, as he discovers overpoweringly once he gets back to New York.
But love can conquer everything in this world of fantasy, and Wenham and Murray show us why with skill and spirit – without ever putting anyone else in the shade.

Kerrie Wenham as Fiona MacKeith
and Andy Murray as Tommy Albright.
(Photo : John Davidson )
Yes there are stars, but this is still an ensemble production, with lovely performances wherever you look, not least from Bishop Luffa sixth-former Matthew Hughes-Short as Charlie Cameron.
Matthew has got presence and a voice to match. Definitely a name to look out for. And music teacher Helene Davis, another making her CAOS debut, is a charming Jean MacKeith.
Add to the mix Kate Sissons’ gorgeous, wistful dancing; Michael Walsh’s first-class musical direction of his excellent mini-band; and a dose of jigs and sword-dancing complete with pipes; and it’s a winning production, huge credit to director Patricia Roberts, choreographer Carolyn Bennett and wardrobe mistress (and CAOS chairman) Elizabeth Peacock.
Phil Hewitt - The Chichester Observer